2024 Writing Income
Over on Patreon, I’ve shared my annual writing income post for 2024. I know money stuff can be awkward, but I think it’s important, too. The post is public, so please feel free to share.
Wishing us all good things in 2025!
Over on Patreon, I’ve shared my annual writing income post for 2024. I know money stuff can be awkward, but I think it’s important, too. The post is public, so please feel free to share.
Wishing us all good things in 2025!
A few people have emailed asking why goblin series is no longer available to buy as e-books.
The short answer is that the rights to those books have reverted from the publisher back to me, so the publisher is no longer allowed to sell them. That trilogy stayed in print for roughly 15 years, which is a pretty good run if you ask me.
“Will they be republished?”
They will indeed. My plan is to give each book a light revision, then package them with a few extras. The Goblin Quest e-book also includes a cover art gallery and the short story “Goblin Hunter.” I may throw another goodie or two in there, I’m not sure. Books two and three will have similar bonus features, including more goblin stories, my original map of the goblin lair (if I can find it), maybe a deleted scene or two…I haven’t finalized the contents yet, but it should be fun.
I think I’m going to do a 3-in-1 omnibus print edition as well. I haven’t started on that yet.
“When will they be back on sale?”
Laurent Reis has done a fun cover for the first book, and the plan is for Laurent to start working on books two and three next month. I also need to revise books two and three and get those put together. So depending on how busy I am, I’m guessing the e-books will be ready in late 2024 or early 2025.
I’m also waiting on editorial feedback for both Kitemaster and Slayers of Old, and I have no idea when that will arrive or how much revision I’ll be doing on those two books, so this timeline is not set in stone. It’s not even set in Play-Doh.
Any questions? 🙂
On Sunday, my younger daughter and I drove down to Bowling Green, Ohio so we could view Monday’s solar eclipse. I was a bit nervous in the days leading up to this. The midwest isn’t known for clear, sunny skies, and the weather forecast kept shifting from partly cloudy to more cloudy and back.
When Monday afternoon finally arrived, the skies landed on partly cloudy. Fortunately, it was thin cloud cover, so we could still see the sun. The only noticeable effect was a haziness in some of the photos.
We settled down in a church parking lot, got everything out and ready, and waited. In addition to my camera, I’d purchased a Hestia telescope and solar filter that works with smart phones.
Click on any pic to see the full-size image.
The Hestia is impressive for what it can do with a smart phone camera. But ultimately — and not unexpectedly — the digital camera did a better job. I’m still happy to have both, and the Hestia has some other tricks for things like deep space photography that I’ll play with more in the future.
Hestia photo is on the left; digital camera shot on the right.
My daughter got a nice shot of me behind the cameras.
I stitched 24 shots into an animated gif of the eclipse, from start to totality. I’m pretty happy with how it turned out. The clouds created the variable hazy effect.
I’d seen partial solar eclipses a few times before, but this was my first time seeing totality. It was amazing. The sky got twilight-dark. A few stars were visible. We heard cheers from the stadium a few blocks away. My daughter kept whispering, “Oh wow…oh wow…”
This first shot shows how dark it was at 3:13 p.m.
Next we have totality with an emphasis on the solar flares prominences.
Here’s a close-up of those prominences, each of which is larger in size than the earth.
Adjusting the exposure loses the prominences but gives you a better view of the corona.
Finally, here’s a shot when the very first sliver of sun appeared at the end of totality.
The drive back was a bit of a nightmare. What was a just-under-two-hour drive down ended up taking between four and five hours on the return trip, not counting the time we stopped for dinner. We did end up behind a custom Ghostbusters car for about ten minutes though, so that was cool.
Despite traffic, the trip was totally and completely worth it. I’m so thankful that the weather mostly cooperated. Thanks also to my girlfriend, who reserved the hotel room a little while back as an early birthday present for me, and to my kid, for keeping me company. (My older daughter went with friends, but they also got to see totality.)
Five stars. Highly recommended.
If you follow me on Patreon or get my newsletter, this might be old news, you probably already know about this. But now that all the contracts have been signed, I believe I’m safe to publicly announce that I have a new book deal with DAW for a contemporary fantasy novel called Slayers of Old. (Title may change between now and publication.)
The book is due toward the end of this year, so depending on the whims of publishing, I’d expect it to be out in late 2025 or some time in 2026.
I’ve also signed the contracts to publish a different standalone fantasy novel called Kitemaster with Arc Manor Books. That book is already written, so logically, it should come out before Slayers of Old. But I’m not going to try to put money on it one way or another.
The point is TWO NEW BOOKS UNDER CONTRACT!
The last five years have been rough. My writing career felt like it hit a bit of a slump. So not only am I excited about getting new books published, I’m also feeling a fair amount of relief. I’m hoping this is only the beginning of the next upswing on the roller coaster.
More news as it happens. In the meantime, I’ll leave you with the first lines of each book.
Kitemaster: Once, when the wind was young, the people looked to the sky and dreamed. They watched cloud serpents dance with lightning. They watched the stars ride the wind through the night…
Slayers of Old: When I was thirteen, I began keeping a list of the annoyances that come with being a Hunter of Artemis. I was up to two hundred and four.
With the new year comes another annual writing income post. I’ve been doing these since 2007, with the goal of giving some actual numbers about how much a working writer makes in a year. (Short version: most of us are not millionaires.) It’s also turned into a nice longer-term look at the ups and downs of one author’s career.
This year, the income post is over on Patreon. Don’t worry, it’s still free for anyone and everyone to read.
As you’ll see, Patreon has become a not-insignificant portion of my work and income. (And starting at a dollar a month, you get access to a monthly short story and all of last year’s posted fiction.)
With that subtle plug out of the way, here’s the link 🙂
Yesterday I received the final files from Leanna Crossan for the Amelia Sand and the Silver Queens cover.
Short version: I love it, and I’ve been happily tweaking away at text and layout. I’m now to the point where I can’t really see it anymore, which means it’s time to share and see what you think.
Here’s the full layout, which will be used for the paperback. (And as I upload the image, I can already see that I want to move that quote from Tobias Buckell a tiny bit higher so it will be centered between the bar code and the text block.)
The price is not final. That’s going to depend on what the costs are. I’m not going for a huge royalty on the print copies, but I do need to be able to feed the cat and the dog. Oh, and the kids too, I suppose.
Here’s the front cover, give or take a few pixels on the dimensions, that will be used for the ebooks and online.
So… What do you think? Any suggestions before I finalize this sucker?
First of all, thank you to everyone who got us past the goal line for the Amelia Sand and the Silver Queens Kickstarter. We also hit the first stretch goal, which means everyone who gets a physical book will get an autographed Amelia Sand bookmark to go with it.
The Kickstarter wraps up at 9 a.m. eastern time tomorrow, August 14. So if you’ve been thinking about supporting or you wanted to adjust your support or add the Goblin Queens add-on this is your last chance.
And if you’re not up for Kickstarter, that’s okay too. The book will be published on December 12, and is already up for pre-order at Amazon and Kobo. (Other pre-order links will be coming soon.)
Leanna Crossan is in the final round of working on the cover art, and I love it so much. This is a not final version of the artwork with me playing around with potential cover text and layout.
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For supporters, the goal is to have rewards sent out by some time in October. I’ve got most of the files prepped, but I still need to do things like add in the supporter list and do a final check. And there will be at least one or two rounds of getting test copies of the physical book printed to make sure nothing gets lost in translation.
Today though, I intend to enjoy the last hours of a successful Kickstarter and the excitement of getting to put out a new book that I think (I hope!) people will really enjoy.
Thanks again!!!
Louis C.K. Wins a Grammy for His Comedy Album About Cancellation
Dave Chappelle Wins Grammy for Netflix Special Condemned for Being Transphobic
Meanwhile…
“Between January and September 2021, 24 legislatures across the United States introduced 54 separate bills intended to restrict teaching and training in K-12 schools, higher education, and state agencies and institutions. The majority of these bills target discussions of race, racism, gender, and American history…” (Source)
Half of the top ten banned books for 2021 were banned in part for “LGBTQIA+ content.” (Source)
“In the last few years states have advanced a record number of bills that attack LGBTQ rights, especially transgender youth.” (Source)
“An NPR analysis of this fast-changing landscape found that over the past two years, state lawmakers introduced at least 306 bills targeting trans people, more than in any previous period.” (Source)
“…in recent years, more than 400 anti-voter bills have been introduced in 48 states. These bills erect unnecessary barriers for people to register to vote, vote by mail, or vote in person.” (Source)
“…at least 19 states have so-called “anti-critical race theory” laws or regulations—despite the fact that CRT is rarely taught below the graduate university level. Even more school boards enacted policies or changed curricula in an effort to restrict how teachers talk to their students about race and diversity.” (Source)
In general, it feels like the people complaining the loudest about “cancel culture” are the ones with big platforms (Hi, J. K. Rowling!) and huge followings. Wouldn’t it be nice if they could use those platforms to speak up on behalf of the people who are actually being suppressed and silenced?
I’ve had a Patreon for a couple of years now. I’ve never really done much with it — people suggested I set something up, and a small group has chipped in each month to help support me and my writing. (And I’m very grateful to those people!)
Much as I’d love to just write and never have to think about money, this past year has convinced me to try something new. One of the deciding factors was paying my older kid’s tuition bill this morning.
So I’ve been talking to folks and studying what other authors have been doing in terms of offering rewards to supporters. Here’s my tentative plan:
I may add additional support levels as I go. Possible rewards could be anything from short story or novel chapter critiques to video chats to Tuckerizations (your name as a character in a future book or story) to live online readings.
But I want to make sure I can fulfill what I’m promising, which means not overcommitting myself up front.
So…what do folks think? Any warnings or suggestions from more experienced (or just plain smarter) people before I jump ahead with this?