2024 Writing Income
Over on Patreon, I’ve shared my annual writing income post for 2024. I know money stuff can be awkward, but I think it’s important, too. The post is public, so please feel free to share.
Wishing us all good things in 2025!
Over on Patreon, I’ve shared my annual writing income post for 2024. I know money stuff can be awkward, but I think it’s important, too. The post is public, so please feel free to share.
Wishing us all good things in 2025!
A few people have emailed asking why goblin series is no longer available to buy as e-books.
The short answer is that the rights to those books have reverted from the publisher back to me, so the publisher is no longer allowed to sell them. That trilogy stayed in print for roughly 15 years, which is a pretty good run if you ask me.
“Will they be republished?”
They will indeed. My plan is to give each book a light revision, then package them with a few extras. The Goblin Quest e-book also includes a cover art gallery and the short story “Goblin Hunter.” I may throw another goodie or two in there, I’m not sure. Books two and three will have similar bonus features, including more goblin stories, my original map of the goblin lair (if I can find it), maybe a deleted scene or two…I haven’t finalized the contents yet, but it should be fun.
I think I’m going to do a 3-in-1 omnibus print edition as well. I haven’t started on that yet.
“When will they be back on sale?”
Laurent Reis has done a fun cover for the first book, and the plan is for Laurent to start working on books two and three next month. I also need to revise books two and three and get those put together. So depending on how busy I am, I’m guessing the e-books will be ready in late 2024 or early 2025.
I’m also waiting on editorial feedback for both Kitemaster and Slayers of Old, and I have no idea when that will arrive or how much revision I’ll be doing on those two books, so this timeline is not set in stone. It’s not even set in Play-Doh.
Any questions? 🙂
On Sunday, my younger daughter and I drove down to Bowling Green, Ohio so we could view Monday’s solar eclipse. I was a bit nervous in the days leading up to this. The midwest isn’t known for clear, sunny skies, and the weather forecast kept shifting from partly cloudy to more cloudy and back.
When Monday afternoon finally arrived, the skies landed on partly cloudy. Fortunately, it was thin cloud cover, so we could still see the sun. The only noticeable effect was a haziness in some of the photos.
We settled down in a church parking lot, got everything out and ready, and waited. In addition to my camera, I’d purchased a Hestia telescope and solar filter that works with smart phones.
Click on any pic to see the full-size image.
The Hestia is impressive for what it can do with a smart phone camera. But ultimately — and not unexpectedly — the digital camera did a better job. I’m still happy to have both, and the Hestia has some other tricks for things like deep space photography that I’ll play with more in the future.
Hestia photo is on the left; digital camera shot on the right.
My daughter got a nice shot of me behind the cameras.
I stitched 24 shots into an animated gif of the eclipse, from start to totality. I’m pretty happy with how it turned out. The clouds created the variable hazy effect.
I’d seen partial solar eclipses a few times before, but this was my first time seeing totality. It was amazing. The sky got twilight-dark. A few stars were visible. We heard cheers from the stadium a few blocks away. My daughter kept whispering, “Oh wow…oh wow…”
This first shot shows how dark it was at 3:13 p.m.
Next we have totality with an emphasis on the solar flares prominences.
Here’s a close-up of those prominences, each of which is larger in size than the earth.
Adjusting the exposure loses the prominences but gives you a better view of the corona.
Finally, here’s a shot when the very first sliver of sun appeared at the end of totality.
The drive back was a bit of a nightmare. What was a just-under-two-hour drive down ended up taking between four and five hours on the return trip, not counting the time we stopped for dinner. We did end up behind a custom Ghostbusters car for about ten minutes though, so that was cool.
Despite traffic, the trip was totally and completely worth it. I’m so thankful that the weather mostly cooperated. Thanks also to my girlfriend, who reserved the hotel room a little while back as an early birthday present for me, and to my kid, for keeping me company. (My older daughter went with friends, but they also got to see totality.)
Five stars. Highly recommended.
If you follow me on Patreon or get my newsletter, this might be old news, you probably already know about this. But now that all the contracts have been signed, I believe I’m safe to publicly announce that I have a new book deal with DAW for a contemporary fantasy novel called Slayers of Old. (Title may change between now and publication.)
The book is due toward the end of this year, so depending on the whims of publishing, I’d expect it to be out in late 2025 or some time in 2026.
I’ve also signed the contracts to publish a different standalone fantasy novel called Kitemaster with Arc Manor Books. That book is already written, so logically, it should come out before Slayers of Old. But I’m not going to try to put money on it one way or another.
The point is TWO NEW BOOKS UNDER CONTRACT!
The last five years have been rough. My writing career felt like it hit a bit of a slump. So not only am I excited about getting new books published, I’m also feeling a fair amount of relief. I’m hoping this is only the beginning of the next upswing on the roller coaster.
More news as it happens. In the meantime, I’ll leave you with the first lines of each book.
Kitemaster: Once, when the wind was young, the people looked to the sky and dreamed. They watched cloud serpents dance with lightning. They watched the stars ride the wind through the night…
Slayers of Old: When I was thirteen, I began keeping a list of the annoyances that come with being a Hunter of Artemis. I was up to two hundred and four.
With the new year comes another annual writing income post. I’ve been doing these since 2007, with the goal of giving some actual numbers about how much a working writer makes in a year. (Short version: most of us are not millionaires.) It’s also turned into a nice longer-term look at the ups and downs of one author’s career.
This year, the income post is over on Patreon. Don’t worry, it’s still free for anyone and everyone to read.
As you’ll see, Patreon has become a not-insignificant portion of my work and income. (And starting at a dollar a month, you get access to a monthly short story and all of last year’s posted fiction.)
With that subtle plug out of the way, here’s the link 🙂
::Dusts off the blog::
Hello, all! Long time no posts, I know. Life has been pretty busy, and I’ve been cutting back on my online time. But today is the release day for my new middle-grade fantasy Amelia Sand and the Silver Queens, which means it’s time to do the announcement and promotion thing.
Some of you have already seen and read this one through the Kickstarter earlier this year. (Thank you!) For those who haven’t, or for anyone who needs a refresher, this is a standalone book that plays with portal fantasy tropes. Here’s the official description.
Amelia Sand is a student at Ainsworth Academy, where nonhumans are taught to be “civilized.” But for the rulers of Umbra—humans who came through a world-gate from Earth and now sit upon the thrones—that’s not enough. When Amelia discovers their plans to use magic to force her and her fellow monsters into blind obedience, she sets out to stop them.
Everyone knows goblins can’t be heroes, so Amelia visits a world-gate to find human champions of her own. But instead of mighty young heroes, she gets stuck with two old women who have no interest in magic or fighting.
With her friend Boa (a talking ribbon-snake), Amelia joins former teacher Ruth and absent-minded Lily on a quest to save the “uncivilized” peoples of Umbra.
Amelia Sand and the Silver Queens is a story about finding unexpected family and learning to trust in your own power.
You can read the first chapter if you want to get a taste for the story. It doesn’t directly tie into my goblin series or any of my other books, but Amelia is definitely a Jim Hines Goblin 🙂
It’s available just in time for the holidays as an e-book and a trade paperback.
Thank you as always for all of your enthusiasm and support. I hope you love this one as much as I do.
Yesterday I received the final files from Leanna Crossan for the Amelia Sand and the Silver Queens cover.
Short version: I love it, and I’ve been happily tweaking away at text and layout. I’m now to the point where I can’t really see it anymore, which means it’s time to share and see what you think.
Here’s the full layout, which will be used for the paperback. (And as I upload the image, I can already see that I want to move that quote from Tobias Buckell a tiny bit higher so it will be centered between the bar code and the text block.)
The price is not final. That’s going to depend on what the costs are. I’m not going for a huge royalty on the print copies, but I do need to be able to feed the cat and the dog. Oh, and the kids too, I suppose.
Here’s the front cover, give or take a few pixels on the dimensions, that will be used for the ebooks and online.
So… What do you think? Any suggestions before I finalize this sucker?
First of all, thank you to everyone who got us past the goal line for the Amelia Sand and the Silver Queens Kickstarter. We also hit the first stretch goal, which means everyone who gets a physical book will get an autographed Amelia Sand bookmark to go with it.
The Kickstarter wraps up at 9 a.m. eastern time tomorrow, August 14. So if you’ve been thinking about supporting or you wanted to adjust your support or add the Goblin Queens add-on this is your last chance.
And if you’re not up for Kickstarter, that’s okay too. The book will be published on December 12, and is already up for pre-order at Amazon and Kobo. (Other pre-order links will be coming soon.)
Leanna Crossan is in the final round of working on the cover art, and I love it so much. This is a not final version of the artwork with me playing around with potential cover text and layout.
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For supporters, the goal is to have rewards sent out by some time in October. I’ve got most of the files prepped, but I still need to do things like add in the supporter list and do a final check. And there will be at least one or two rounds of getting test copies of the physical book printed to make sure nothing gets lost in translation.
Today though, I intend to enjoy the last hours of a successful Kickstarter and the excitement of getting to put out a new book that I think (I hope!) people will really enjoy.
Thanks again!!!
I have really been slacking on the blog front, haven’t I? Well, if it helps, it’s partly because I’ve been busy with other projects, like a middle grade standalone fantasy called Amelia Sand and the Silver Queens.
I’m excited about this one. It’s got humor, some fun worldbuilding, a goblin heroine and her (much) older human companions, and a talking feathered snake with an anxiety disorder. Here’s the official synopsis:
Amelia Sand is a goblin student at Ainsworth Academy, where nonhumans are taught to be more civilized. But for the rulers of Umbra — humans who crossed through a world-gate from Earth and now sit upon the thrones — that’s not enough. When Amelia discovers the king’s plans to use magic to “civilize” her and her fellow monsters into blind obedience, she sets out to stop him.
Everyone knows goblins can’t be heroes, so Amelia returns to the world-gate to summon human champions of her own. But instead of mighty young heroes, she finds herself with two middle-aged women who have no interest in magical or military shenanigans.
With her friend Boa (a talking ribbon-snake), Amelia joins former teacher Ruth and absent-minded Lily in a journey across Umbra. Can their odd little band stop the king and save the “uncivilized” peoples of Umbra?
Full of humor and hilarious goblin hijinks, Amelia Sand and the Silver Queens is a story about finding unexpected family and learning to trust in your own power.
Earlier this week, I contracted with Leanna Crossan to do a wraparound cover for the book. Leanna also did the artwork for Tamora Carter: Goblin Queen.
The Kickstarter launched this morning, with a goal of $5000 to cover initial costs. If you’d like a sample, you can read the first chapter in PDF format. (And if you’re a reviewer and would like an advance review copy, let me know and I’ll hook you up!)
Official release date is tentatively set for December 12. Supporters will get their copies sooner — hopefully in October.
In the meantime, I get to spend the next 30 days refreshing the Kickstarter page and trying not to be too much of a pest about self-promotion. Not my favorite part of the process, but hopefully the results will be worth it 🙂
Signal-boosting is very much appreciated, if you’re so inclined. Thank you!
Today marks the return of the princess novels! All four books should be showing up wherever you get your ebooks.
You can also buy them directly from me at my PayHip store.
I was asked about the reversion process and how it applied to books and other media (cartoons, audio, TV shows, etc.) I can’t speak to the specifics of those other media, because so far nobody has chosen to make Goblin Quest: The Animated Series or a a Libriomancer miniseries on Netflix or anything like that.
What I can say is that the reversion of rights back to me gives me rights to the pieces I created. I can take the manuscript and republish it in print or ebook or both. I can rewrite and release an updated version (in my copious free time).
What I can’t do is use the pieces the publisher did. If I wanted to reuse the cover art, I’d have to buy those rights from the artists who did the covers. Then I’d still have to handle cover text and layout. The same goes for formatting the manuscript for ebooks or print — I have to do that myself or hire someone to do it.
How does that apply to cartoons or movies or whatever? Like everything else, it will depend on your contract. But I wouldn’t expect you to be able to republish that cancelled cartoon on your own. Corporations are going to make sure they’re keeping syndication/rerun rights, and I imagine in many cases they own the copyright as well.
But with my contracts for these particular books, reversion means I get to keep sharing Danielle, Talia, and Snow with you all 🙂